Dean had no patience. He enjoyed rushing every idea that came to his head. This personality trait of his, in hindsight, is the ingredient that pushed us out the door and into the bars and halls where we’d start to make our name. I liked the idea of writing songs, however, Dean leaned towards our improvisational roots. This difference between us was the catalyst that set the wheels in motion. For example, Dean signed us up for the 2011 Online Warped Tour Battle of the Bands without consulting me.dan and dean 001 I emerged from my bedroom one morning to the news that we were officially signed up for this ridiculous contest. At the time, I was a little annoyed because we had no songs or image. This left me with one option. Create them.

For the first time ever, we now found ourselves writing songs together. This proved to be a difficult undertaking because poor Deano couldn’t understand simple song structure. “Come in on 4” I’d say before starting the song. When 4 came, Dean didn’t. So, it hit me. This music theory stuff isn’t important to The Dean Project. Rhythm, tone quality and time signatures are all just suggestions. We were never out to compete with other bands. We weren’t interested in pissing contests. They get you nowhere and take all the fun from performing. Our focus was to just be The Dean Project. Little did I know, this Warped Tour thing would help solidify our web presence as an official act. However, In my mind, it was all satire. A commentary on how indie and commercial music are all built around false virtues. Performance art. But to those unhip, close-minded consumers of our work, we were barely talented kids just struggling to put songs together. It was a fine line to walk, especially for an unestablished act. We simply tried to Blur the lines between art, music, comedy and life.

We knew people wouldn’t understand what they were seeing or hearing. We knew some people would think of us as “wannabes”,  “outcasts” or just plain bad. It would be up to us to give whoever was at that particular bar, on that particular night, a show and make them feel something. I was always a believer that people don’t buy songs. They buy feelings. Even if the songs were regarded as garbage. If we managed to make you feel something or react in any way, we would call it a success. If we inspired dialog, commentary, jokes or banter it meant more to me than selling T shirts or growing my social profile. We were the growling folk dudes with a nutcracker. Who wasn’t talking?

 

 

 

 

When I got into music in junior high, my natural inclination was to gravitate to the drums. My other friends had picked up playing the stringed rock instruments, so it was really my only natural choice. I still remember coming home from school in grade eight and to my delight my parents had purchased and laid out all over the kitchen, my very first drum kit. It was a bottom on the barrel kit with no bells or whistles, however, it dean 005would be more than enough for me. I played that kit every night after school with my friends Phil, Paul and Alex on bass and guitar. I had no formal training, so these jams would be my lessons and Green Day would be my teacher. We called ourselves Shiny Pencil and recorded a track list of covers straight to tape . We had the audacity to sell those tapes to the other kids at school. We were in fact, the only “band” in our grade and immediately started to gain a little bit of attention. We didn’t know what to do with the attention. Shit, we weren’t even musicians at this point. But, that’s not where this story is going. Years later, when I was actually playing shows in serious high-school rock bands, I sold that first drum kit of mine to Dean.

Dean had no idea what to do with the drums. He didn’t understand what he was hearing, I guess. He just hit everything at random and would tell me that he learned how to play “Voodoo” by Godsmack.  I told him that that was not “Voodoo”. So, I picked up a guitar to demonstrate rhythm, and The Dean Project was born.

My first guitar was a blue Telecaster. And boy, was it ever a piece of shit. I scraped all the paint off with a Loonie and had the ugliest Zebra striped strap. I would head over to Dean’s Mom’s house, climb down to the basement where the now junk drums lay with this guitar and we create our brand of noise pollution. I remember Dean had this old boom box that had a record function. He suggested we record an album. I laughed, of course. “What album? What songs? What band? Jesus Christ, Okay, hit record.”

We recorded whatever came to mind at the time. The songs I remember most were “Big House on Wheels” and a horrendous version of “In Da Club”. Embarrassing as it was, I loved it. I couldn’t sing or play. Dean couldn’t sing or play. But, I guess that`s what made me love it so much. There was always an energy between Dean and I. We loved music. But more than that, we loved playing with people perception of us. We shared a common love for what I called art and he called work. “Work” is an old carnie term for swindle or lie. And I guess that we did a lot of work, but it was never to take money from people. It was never a bait and switch type situation because we weren’t, and never wanted to be, business people. So, I would tell him that it’s not work if it’s purely to tell a story and bend people’s perceptions. Everything we gave, was 100% genuine because of how much we loved the lifestyle, the culture and everything that goes along with being in an indie band.  Sure, we had gimmicks and merch. But, seldom were we seen tending to our “inventory” or “profit margin”. No, we were chillin’, smokin’, talking with people. It was the human aspect, though through workers eyes, that kept us glued to the lifestyle.

You can’t sweep me under the rug
I’m not a crumb from your cracker
Even if you tried
You couldn’t make this coffee blacker
I’ll try not to mention how much it hurt
I can see where you’re comin’ from
You’re the mop – I’m the dirt

Now, go bravely into studies
With your dust pan in hand
I’ll just be on stage
Performing with my band
I won’t be standing anywhere
Waving any flags
I’ll be off in the distance in an instant
Adorned in plastic bags, rags, mags gagged

Shoe laces, duct tape
Magnetic tennis balls
Are now the clothes that I wear
Cuz I can’t stand to crawl
Well, chew me up and spit me out
Baby, lock me in a stall
Can you see where I’m comin’ from
I’m bouncin’ off the walls

So, please refrain from lying to me
An’ sayin’ that you care
It’s minus thirty-five out there
An’ I’m at your door in my underwear
With goosebumps you’re changing
From an apple to a pear
Yeah, I can see where you’re comin’ from
You’re a bi-polar bear

Oh, how often do you confuse conversations with pipe bombs
Actually, it’s not contracted that a hero has to right wrongs
Reality, I know, can feel just like a cartoon
I’m a stoned raccoon sittin’ under the moon

Well, who accepts a rain-check on compassion and attraction
Some sorry stiff soul standin’ somewhere distracted
You can try to recover, lover
Save it for you blog
Can you see where I’m comin’ from
I’m the prince you’re the frog
You can try to recover, lover
Save it for you blog
Can you see where I’m comin’ from
I’m the prince you’re the frog

The Angel came down to visit Paul the Poet
Not wearing any armor and with no emotions showing
“There’s no honor in twisting facts and history”
She said to the poet “Don’t concern yourself with victory”
“But glory and adoration are not the steaks that I seek,
I’m the kind of man who makes connections when I speak”
The Angel called the poet out and left him in a heep
“Let’s see if you’re singing the same tune when you recover next week”

The customer is satisfied on the other side of the counter
The cashier and the manager wear big smiles with each encounter
The Angel gathered all three in a room
And began to ask some questions
“Do you think everything is okay?” and
“Are you open to suggestions?”
The boss rose up and began to fight
“I’m on your side” The Angel replied
She took a look at the customer
It was Paul the Poet
She was surprised
“Well, I’ll support you if you support them”
Was a promise that didn’t interest Paul
He managed to escape through the crack in the wall
But The Angel trapped him in a mall
A shopping mall out of reach
Now Paul the Poet needs to find his indoor beach

There’s no such thing as freedom on vague illusions of stuff
So, Paul set out to scope the reef
But you can feel freedom
Freedom lies inside
Deep within yourself there is an indoor beach

Now he sees sunsets atop grassy dunes of sand
Writing beautiful music for the people of the land
And every single summer night
Paul thanks The Angel for what she teaches
Because deep within his soul he know
That only a select few will ever
Find
Will ever
Seek
Will ever
Inhabit
Their indoor beaches

Now, Paul spreads the message of The Angel
But he does it just like a poet
Head to toe in a suit of armor
And with all his emotions showing
©2013The Dean Project